Archive for October, 2010

Prints Due for October Salon

Monday, October 11th, 2010

Due Date: October 12, 2010 – 7:00 PM

Competition prints must be submitted to the Edina Art Center (EAC) CCC drop off area by 7:00 p.m. Tuesday, the week prior to the Salon. See Salon Competition Rules for entry info.

The EAC is open:
Monday – Thursday — 9:00 AM to 8:00 PM
Fridays: 9:00 AM – 3:30 PM
Saturdays: 9:00 AM – 1:00 PM

If you are able, please also send a digital copy of your print (conforming to digital salon rules) to digitalsalon@crosstowncameraclub.com. If  your image is awarded an acceptance during judging, it will be displayed on the Crosstown website and used in the end-of-year presentation.

Print Salon: “Urban Scapes” — Imagine all the steel and concrete are natural elements outside of the city. This challenge goes beyond cityscapes, architectural, street photography or city panoramas, here you want to find urban shape, patterns and compositions that mimic natural ones. As one person put it, “Urban Landscape photography is often gritty, it’s not always pretty and it can be quite abstract.” Here’s a good link to better understand what Urban Scapes (or Landscapes) is: http://digital-photography-school.com/photographing-urban-landscapes

October Club Meeting

Monday, October 11th, 2010

Meeting Date:  October 21, 2010 – 6:30 PM

Meeting Location: Christ Presbyterian Church

Print Salon: “Urban Scapes” — Imagine all the steel and concrete are natural elements outside of the city. This challenge goes beyond cityscapes, architectural, street photography or city panoramas, here you want to find urban shape, patterns and compositions that mimic natural ones. As one person put it, “Urban Landscape photography is often gritty, it’s not always pretty and it can be quite abstract.” Here’s a good link to better understand what Urban Scapes (or Landscapes) is: http://digital-photography-school.com/photographing-urban-landscapes

Judge: Tom Fletcher

“I am a painter and sculptor.  Much of my sculpture and painting has been influenced by whimsy.  For fifteen years I spent running a toy store in St. Paul.  Toy design was a natural segue for me.  Many of my teachers in art school told me my work looked like toys.

I attended Wesleyan University where I studied child development in preparation for teaching.  I fortunately escaped the teaching profession until later in life by attending art school and shear good luck.  I studied sculpture and painting at the University of Minnesota where I studied with: Cathryn Nash, Alan Kraneing, Zig Preide, Louise Nevelson, George Morrison, Peter Bousa and Ray Hendler to name a few……….

I have shown work at the Walker Art Center and the Minnesota Museum of Art, as well as other galleries.

As I have grown older, I have developed the patience to work with students and tolerate school management.

I now spend much of my time teaching ESL, or in projects that support people new to the U.S.  This involvement has changed the way I see things, and so I am often in position of learning at least as much as I try to teach.  The involvement has strongly influenced my work.

For five years, I spent a month and a half each year teaching design in the “Magic School” >la escuela magica<.  This is an art school in the town of San Juancito, Honduras, run by Regina Aguilar.  This year, I have had the satisfaction of seeing some of my students graduate from university.  They have become teachers.

Art has become both a way of expression and a way of exploration.”

Awards in the Color Topic Category:


Awards in the Monochrome Topic Category:


Awards in the Color Open Category:

Awards in the Monochrome Open Category:

Program: Mark Lissick — “Alaska’s Great Bears”

Empowered by a life-long love of and respect for our natural world, Mark has been photographing distinct images of wildlife, landscapes and nature for over 19 years. His approach to photography is founded upon an intimate, yet practical, understanding of the natural world and photographic technology which helps him to convey his personal vision of the beauty and wonder he finds in nature.

www.wildlightnaturephotography.com

Edina City Hall Exhibit – “Architecture”

Monday, October 11th, 2010

Crosstown Camera Club’s latest exhibition “Architecture” is now hanging at the Edina City Hall Community Room.

The exhibit consists of twelve color images selected from member submissions that were curated by three judges from the club. Our thanks to Mark Karney, Forrest Pearson, John Olson, Geoff Kuchera and Brian Billadeau for all their hard work in selecting, framing and hanging the exhibition.

Please be sure to stop in to check it out and pass on the word!

The community room is on the second floor of the Edina City Hall located at:

4801 W. 50th Street
Edina, MN

Hours:

Monday – Friday: 8 am to 4:30 pm

Edina City Hall Exhibit - "Architecture"

The exhibit at the Edina City Hall is a permanent club exhibit although the images in it are expected to change at least twice annually.  “Architecture” is expected to hang until February of 2011 when it will be replaced by new images selected from submissions by club members. The topic for the upcoming exhibit will be “Black and White”. There will be a call for images for the February 2011 exhibit, and all future exhibits, at least two months prior to the hanging of the new exhibit.

26th Annual Members Juried Art Exhibition – Edina Art Center

Thursday, October 7th, 2010

Congratulations to Cynthia Fleury, Bill Cooper and Lars Michael for their inclusion in the 26th Annual Members Juried Art Exhibition at the Edina Art Center.

Cynthia Fleury received a $100 “Award of Excellence” for her image, “Boats in Marina”

There were 270 entries and 97 Acceptances. Between the Cynthia, Bill and Lars Crosstown had 5 acceptances so that’s 5% of all acceptances!

Some images courtesy of Lars Michael:

Former member Don Clay also received an acceptance.

The exhibit will remain on display until October 27th, 2010. Be sure to stop by and check it out!

Edina Art Center
4701 W. 64th Street
Edina, MN
Hours:
Monday – Thursday: 9 am – 8 pm
Friday: 9 am – 3:30 pm
Saturday: 9 am – 1 pm

Some Photographic Reading

Thursday, October 7th, 2010

This and That by Steve Shor

The winter is always a good time to read a few books about photography. This can be quite inspirational and gets you all psyched up to go out and try your own hand with some renewed energy and anticipation.

Typically at this time of year several of the major photographic magazines publish their lists of photo books they would recommend.

I am citing some of the ones I thought sounded most interesting. A few of my personal favorite photographers are Art Wolfe and David Stocklein, and the Wildlife Photographer of the Year Competition from England.

Hopefully some of these books can be previewed online so that you can get a flavor for the content.

Happy exploring.

Shutterbug Magazine, Dec 2009

  • Animals Up Close: Zoom In on the World’s Most Incredible Creatures; by Igor Siwanowicz; DK Publishing, Inc.; $16.99; (ISBN: 978-0-7566-4513-7)
  • Elephant Reflections; photography by Karl Ammann, text by Dale Peterson; University of California Press; $39.95; (ISBN: 978-0-520-25377-3)
  • Fritz Henle: In Search of Beauty; by Roy Flukinger; University of Texas Press; $55; (ISBN: 978-0-292-71972-9)
  • New York Skyscrapers; by Dirk Stichew, photography by Jorg Machirus and Scott Murphy; Prestel; $39.95; (ISBN: 978-3-7913-4054-8)
  • The Cat’s Pajamas: 101 of the World’s Cutest Cats; by Rachael Hale; Andrews McMeel Publishing, LLC; $24.99; (ISBN: 978-0-7407-7964-0)
  • Why Dogs Are Better Tan Cats; by Bradley Trevor Grieve with photographs by Rachael Hale; Andrews McMeel Publishing, LLC; $19.99; (ISBN: 978-0-7407-8513-9)
  • Reflections at Sandhill Creek; Meditations on the Wild West Coast; by Adrian Dorst; Harbour Publishing; $28.95; (ISBN-13: 978-1-55017-474-8)
  • Over the Coasts: An Aerial View of Geology; by Michael Collier; Mikaya Press; $34.95; (ISBN: 978-193141-442-5)
  • Travels to the Edge: A Photo Odyssey; by Art Wolfe; Mountaineers Books; $24.95; (ISBN: 978-1-59485-277-0)
  • First Light: Five Photographers Explore Yosemite’s Wilderness; by Charles Cramer, Karl Kroeber, Scot Miller, Mike Osborne, and Kieth S. Walklet, introductions by Bob Hansen; Heyday Books; $27.95; (ISBN: 978-1-59714-102-4)
  • Connections: A Visual Journal; by Ford Robbins; Red Mountain Press; $44.95; (ISBN: 978-0-9799865-3-6)
  • Predators of North America; by Dave Taylor; Boston Mills Press; $29.95; (ISBN-13: 978-1-55046-520-4)
  • Botanica Magnifica: Portraits of the World’s Most Extraordinary Flowers and Plants; photographs by Jonathan Singer, text by W. John Kress and Marc Hacadourian; Abbeville Press; $185; (ISBN: 978-0-7892-1033-3)
  • India Exposed: The Subcontinent A-Z; by Clive Limpkin; Abbeville Press; $29.95; (ISBN: 978-0-7892-0994-8)
  • China; editied by Guang Guo, principal photography by Ming Tan; Abbeville Press; $235; (ISBN: 978-0-7892-1017-3)
  • Adirondack Moments; by James Kraus; Firefly Books; $29.95; (ISBN-13: 978-1-55407-466-2)
  • Hearst’s San Simeon; The Gardens and the Land; by Victoria Kastner, photography by Victoria Garagliano; Abrams; $50; (ISBN: 978-0-8109-7290-2)
  • Galapagos: Preserving Darwin’s Legacy; by Tui de Roy, foreward by Sarah Darwin; Firefly Books; $49.95; (ISBN: 978-1-55407-484-6)
  • Slow: Life in a Tuscan Town; photographs and text by Douglas Gayeton, introduction by Alice Waters; Welcome Books; $50; (ISBN: 978-1-59962-072-5)

Outdoor Photographer; December 2009

  • A Shadow Falls by Nick Brandt (Abrams, 2009; ISBN: 978-0-8109-5415-1). 58 tritone panoramic images of east Africa.
  • The Abundance of Summer; The Season of Yellowstone by Tom Murphy (Crystal Creek Press, 2009; ISBN: 978-0-966-86198-3)
  • Along the Water’s Edge by Timothy Wolcott ( QuinnEssentials Books and Printing, Inc., 2009; ISBN: 978-0-9823590-0-6)
  • Animals on the Edge: Reporting from the Frontline of Extinction by Chris Weston and Art Wolfe (Thames & Hudson, 2009; ISBN: 978-0-500-54382-5)
  • Bear Portraits by Jill Greenberg (Little, Brown and Company, 2009; ISBN: 978-0-316-03188-2)
  • Extraordinary Leaves by Stephen Green-Armytage and Dennis Schrader (Firefly Books, Ltd., 2008; ISBN: 978-1-55407-387-0)
  • Glimpses of Madagascar; Lemurs and Landscapes, People and Places by Ronald A. Lake (The Other Lake Company, Inc.; 2008; ISBN: 978-0-625-21246-3)
  • One Hundred Butterflys by Harold Feinstein (Little, Brown and Company, 2009; ISBN: 978-0-316-03363-3)
  • Photographing The West by David R. Stocklein (Stocklein Publishing, 2009; ISBN: 978-1-933192-64-2)
  • Wildlife Photographer of the Year; Portfolio 18 by Rosamund Kidman Cox (BBC Books, 2008; ISBN: 978-1-84607-581-0)

- Steve

EDITOR’S NOTE: This is the fourth of four articles which unfortunately went unpublished last year. Please note– the articles may refer to previous topics and contain out-dated links. However, the articles still contain valuable information worth reading. New articles are on their way soon… Enjoy!

Photo Back Packs

Thursday, October 7th, 2010

This and That by Steve Shor

I have found that finding and choosing a back pack to carry my camera gear was much harder than I anticipated.

It would seem that with the plethora of manufacturers and styles it would be much easier than it actually is. However when the rubber hits the road as they say, many of the options just don’t make the grade.

This is also a very personal decision as every one is different in body type and needs.

For years I have made due with a conventional day, back pack which has enough room to carry my camera gear of choice. However, since most of these types of bags contain one large deep pocket it means that it is not as elegant to place one or two cameras with lenses into the pocket and have convenient access to them.

The photo back packs on the other hand are designed specifically to store your camera gear in well padded slots and provide fairly easy access to your gear. However they do not always pay attention to the fact that you must comfortably carry this pack for hours at a time and they often do not allow enough space for other items like clothes, rain gear, food etc.

I think you are starting to see some of the difficulty in finding one bag that will meet all your needs.

My back pack of choice for many years was a Columbia pack that has one deep pocket, one front pocket, a top pouch, plenty of straps and a very comfortable waist belt that was padded plus contained a few smaller pockets to store things like keys etc. It also had two side mesh pouches that could be used for water bottles or to carry a tripod.

  • Exterior: 11 in. front to back, 18 in. tall, and 14 in. wide.
  • Interior: interior pocket is 10 in. wide, 15 in. deep and 6 in. front to back with high density foam in place (placed by me) to help stiffen the back of pack.

With this arrangement I could easily carry one camera body and several lenses plus a host of other items like filters, cleaning kits, extra memory cards etc. I also could carry a light sweater and rain parka down in the main pocket. And as I said, my tripod mounted to the side.

Some of the main issues were that it was difficult to take a camera with lens out of the main pocket and at least 80% of the time the lens cover would pop off as I removed it from the bag. Sometimes I wanted to carry two cameras with lenses attached and this was even more difficult to do, but still doable.

Even with some of these issues it still has served me as a pretty good camera pack.

Some of the issues have been:

  1. the back is not very stiff and so I had to insert a piece of stiff foam to give bag more support when carrying.
  2. the camera gear is not well protected and lenses and cameras tend to knock about a bit. Usually I keep each lens in a case so this is not too much of an issue. Once however when I had my camera with 80-400 lens attached in pocket and lowered to ground a little too abrubtly I cracked the lens cover. I reduced this problem by lining the bottom of the bag pocket with foam cushioning.
  3. when traveling by plane and wanting to take my laptop with me, as well as needing to take my chargers and backup hard drives etc it gets almost impossible to fit everything into this carry-on back pack. I have done it but it is a bear to carry.
  4. As I mentioned I have rigged up a way to carry a tripod but this makes it even more difficult to get cameras out if I just wanted some grab shots.

So, I have been looking for a “better” backpack for the past several years. Like I said there are many many choices but somehow none seem to address everything I want out of a bag.

After searching the internet and reading blogs and reviews I came down to two bags that interested me.

These were the Tamrac Adventure 9 and the Lowepro Pro Trekker 400. Both were about the size I thought could be used as an airplane carry-on case and both had separate pockets for a laptop and room for a DSLR and several lenses. The Tamrac Adventure 10 appealed to me also but it had a 25inch outside height dimensions which was 5 inches taller than the other two and which might be a stretch as a carry on.

The bag I actually purchased was the Tamrac Adventure 9 :

  • interior upper pocket is 6 in. front to back, 10 in. wide at bottom to 6 in. wide at top and 7 in. deep
  • camera pocket is 12 in. wide at the bottom and 10.5 in. wide at the top, 7 in. deep, and 9.5 in. top to bottom.

The camera pocket can easily fit in my Nikon D300 with 80-400 telephoto attached and 3 or 4 other lenses. The top pocket which is separate from the camera gear pocket can hold some snack foods etc and I find that I can actually fit another camera body with lens into this pocket if I should desire (that is with lenses shorter than 7 in.). The computer pocket can be used for some light clothing etc when not carrying a laptop.

What I don’t like about it so far is that it is not as comfortable to carry on my back. The shoulder straps are padded but not as well as my regular backpack and it only has a waist strap and not a padded waist belt. Even this one additional feature would have improved its comfort a great deal. Also it does not have a way to carry a tripod on the sides or back, although it says you can carry one on the bottom if you purchase additional tie straps.

Below are pictures of both bags so you can get a feel for how they look.

TnT-Dec09a

Columbia Back Pack


TnT-Dec09b

Tamrac Adventure 9

I can tell you that you MUST try to physically see a bag you intend to purchase and better yet try on a loaded bag. Sometimes it is helpful if you can find a You Tube video where someone is showing you their bag from several views.

I have listed a number of the manufacturers of photo back packs for you to peruse should you ever be in the market for one. I have also included a few articles I found which discuss some of the features to think about and also a comparison of several bags.

My main advice is to be patient and do LOTS of research before purchasing one of these.

In the end you may have to get TWO bags for your use. One might be for traveling with gear in your car or only walking short distances and another might be for when you expect to be out hiking for several hours.

7 Photo/Laptop Backpacks Reviewed:

National Geographic Earth Explorer Large and Medium, Tamrac Adventure 9, Crumpler Keystone, Kata R-103 GDC Rucksack, Lowepro CompuTrekker Plus AW, and the Think Tank Airport International.

Howard Carson http://www.kickstartnews.com/reviews/accessories/photo_camera_laptop_backpack_reviews.html

AccessoriesPhoto Backpacks; Amiable Traveling Companions For Your Gear …. By Jon Sienkiewicz • May, 2007

It’s been said that every gadget bag is a compromise between how well it protects your gear and how easily your equipment can be accessed. This is especially true with photo backpacks. But if you need to carry a heavy load of gear into the field, a properly fitted backpack is hard to beat. Besides cost, there are five points to consider when selecting a backpack. How you rank them depends on how and where you plan to use the bag.

Protection

The first point is protection. The typical backpack is divided into three or more functional compartments, although designs differ from bag to bag. Except on the least expensive bags, the main equipment area can be further divided by means of adjustable partitions that secure with touch fastener-type hook-and-eye fasteners, so each camera body and lens sits in its own space. Look for well-padded dividers that create thick walls between individual items. The second area is for a notebook computer. If you carry a 17” notebook, make sure the backpack has a PC sleeve large enough to accommodate that size. The third area is for miscellaneous items. Sometimes this space can be used to tote something as large as a folded raincoat, but it’s usually the smallest compartment more suitable for accessories and cables.

Accessibility

For most photographers, accessibility is the deciding point. How frequently will you need to get at your gear? Because backpacks position your equipment behind you, it can be hard to reach a lens or accessory without removing the bag and setting it on the ground. Notable exceptions to this rule are the sling-type packs from Lowepro, Tamrac, and others that can be quickly swung around from your back to your front. You may also want to consider using a waist pack in addition to your backpack—that way you can keep mission-critical items within easy reach. You can also attach frequently used equipment to the outside of most gadget bags, either in a pouch (as in the case of a cell phone or GPS) or by rigging it directly (a tripod, for example). Some manufacturers offer a full line of dedicated accessory pouches to accommodate a water bottle, filter pouch, memory card case, or other custom-fitted container.

Comfort

Look for a pack that has wide, padded straps. Most backpacks make use of modern, lightweight materials that provide tremendous strength and minimal weight. Some bags have harness-type straps that interconnect across the chest or waist belt and allow you redistribute the load to achieve better balance. If you travel through airports often, consider a backpack that is equipped with internal hideaway wheels.

Durability

Backpacks are made from a variety of materials, the most popular being a nylon derivative called ballistic nylon. The denier (the linear mass or “heaviness”) of the fabric differs depending on bag maker. Lighter weight materials are used for internal areas. In general, look for tightly double-stitched seams, YKK zippers, and strong hardware connections, particularly if the shoulder straps are removable.

Many bags are waterproof and/or include fitted, seam-sealed rain cover as part of the standard package.

Cosmetics

Beware of good-looking backpacks that were not designed to carry photo equipment. While they might be handsome and wear a famous logo, most general-purpose backpacks do a lousy job of protecting your camera equipment. Besides, there are so many dedicated photo backpacks available you’re bound to find one that suits you.

Backpack Links

http://www.tamrac.com/ Good selection of bags

http://www.lowepro.com/ Probably has the largest selection of bags.

https://www.crumplerbags.com/English/Default.html Not the greatest website

http://www.kata-bags.com/index.asp?UP1=OK

http://www.tiffen.com/products.html?tablename=domke

http://www.mountainsmith.com/products.asp?subCategoryId=14&categoryId=13

http://www.thinktankphoto.com/categories/camera-backpacks.aspx?gclid=CJScodSGhJ4CFRnyDAodDVtkqg

http://www.fstopgear.com/index.php

- Steve

EDITOR’S NOTE: This is the third of four articles which unfortunately went unpublished last year. Please note– the articles may refer to previous topics and contain out-dated links. However, the articles still contain valuable information worth reading. New articles are on their way soon… Enjoy!

Brookfield Zoo

Thursday, October 7th, 2010

This and That by Steve Shor

As many of you know I greatly enjoy going to zoos and aquariums to observe the behavior of the many animal and sea creatures that populate our earth. For many of these creatures I might never get to see them at all without zoos. And in many cases they are on the endangered lists and the zoos offer one way to actually keep them from going extinct.

Some of my favorites are the San Diego Zoo, and the Washington DC Zoo, mainly because of their Giant Panda exhibit. Also the Newport Aquarium in Oregon and the LA Aquarium in Long Beach because of their excellent sea creature exhibits.

We are quite fortunate to have two excellent zoos right here in the Twin Cities. These of course being the Minnesota Zoo in Apple Valley and the Como Zoo in St Paul.

Recently I added a new zoo to my list that I have wanted to visit for some time now. This is the Brookfield Zoo http://www.czs.org/czs/Brookfield/Zoo-Home.aspx near the Midway Airport in Chicago. It consists of over 200 acres of land and has a mixture of natural habitat exhibits similar to the Minnesota Zoo but also a number of excellent indoor exhibits that try to simulate their native surroundings.

Two exhibits stood out in my mind and these were the penguin exhibit and the tropics exhibit. Both are situated indoors but done very nicely and provide lots of open viewing area for those of us who like to take photographs. As you may have read in some of my previous articles, I am not a fan of the mesh netting or fencing that is used often to separate man from animal but prefer the more creative designs that allow people to look clearly at the creatures within.

I probably spent the most time at the penguin exhibit where the Humboldt penguins are paired with the Inca terns in a smallish but beautifully designed space. The penguins have nests dug into the hillside just like in their native land and have free access to the open pool for swimming, playing and fishing for their food.

In real life they live along the desert coast of Peru and Chile in South America. It is a very unusual environment, and you might not think penguins would live there. The coast is where one of the world’s driest deserts meets one of the world’s most fertile oceans.

More information at  http://www.czs.org/czs/Brookfield/Exhibit-and-Animal-Guide/The-Living-Coast/Humboldt-Penguin.aspx

Humboldt Penguin

TnT-Nov09a   TnT-Nov09d

The Inca terns http://wapedia.mobi/en/Inca_Tern have free reign within the entire enclosure and fly often to various rock outcroppings within. It was great to observe and also offered many good photo opportunities.

Inca Terns

TnT-Nov09b   TnT-Nov09c

The other exhibit which I spent a lot of time at was the Tropics Exhibit. This is a HUGE indoor space which houses many different species of primate and even has a special area for a gorilla family.

The bear exhibit was nice but more like the old one at Como Zoo. They are in the process of constructing about a 2 acre new site for the bears which I am sure will be very nice when completed in 2010.

I would definitely recommend this Zoo to anyone traveling in this area. Allow at least 2-3 hours and be prepared to walk a lot.

- Steve

EDITOR’S NOTE: This is the second of four articles which unfortunately went unpublished last year. Please note– the articles may refer to previous topics and contain out-dated links. However, the articles still contain valuable information worth reading. New articles are on their way soon… Enjoy!

Country Roads

Wednesday, October 6th, 2010

Country Roads

This and That by Steve Shor

For me the topic of “Country Roads” brings to mind many fond memories I have of touring the countryside in New England, Illinois, Iowa, Minnesota and Wisconsin. These are places that I lived or had summer jobs or went to college. More often than not these excursions were solitary and was a way to get out of the city and re-vitalize and re-energize. The curvy roads and scenery of trees or bluffs or creeks or rivers all float back to mind and I can vividly recall the thrill of expectation as I rounded the next curve or came to an area I had enjoyed before. I was even fortunate enough to have owned a convertible sports car for some of these memories. Yes, drives or walks or biking out into the scenic, more rural areas has always been a treasured activity for me. What a great topic to have for our October salon. And it is even more special at this time of year since the Fall colors will be starting to emerge.

There are so many fine areas around Minnesota and Wisconsin that no one should have trouble finding a picturesque place to take some photographs. Will it be along the Mississippi River along route 35 or 61? Will it be in the Lanesboro area of southern Minnesota, will it be in the farming communities to our West and North West or will it be along the bluffs of Lake Superior?

In fact if you have a particularly beautiful location it would be great to share this with our membership, please send me a short description of one of your favorite scenic drives for future reference.

If you want some choices, well I have listed some links below to scenic drives both in Minnesota and Wisconsin. In Wisconsin they have what is called “Rustic Rural Roads” throughout the state and a really neat interactive map that describes where that road is when you click on it in the map. I have been to several of them and they truly are unique.

Scenic Minnesota Trips

http://www.exploreminnesota.com/my-favorite-minnesota/list/26593/hawkeyes-favorite-roads-in-minnesota-for-a-scenic-cruise

http://www.exploreminnesota.com/byway/directory

http://ridermagazine.com/output.cfm?id=1204129

Scenic Wisconsin Trips

http://www.dot.wi.gov/travel/scenic/maps.htm (Rustic Rural Roads)

http://www.amazon.com/Scenic-Driving-Wisconsin-Aaron-Cieslicki/dp/1560445580

http://www.amazon.com/gp/product/076032980X/ref=pd_lpo_k2_dp_sr_1?pf_rd_p=486539851&pf_rd_s=lpo-top-stripe- 1&pf_rd_t=201&pf_rd_i=1560445580&pf_rd_m=ATVPDKIKX0DER&pf_rd_r=1CQRER7EWNBDDQ7J3GMH

When out on your trips you might want to carry both a wide angle lens as well as a telephoto lens and your tripod since you never know when you might want to take a picture in waning light or with moving water in the background.

Also it might be worth having a polarizing filter to help reduce glare and get more saturated colors and maybe a graduated ND filter in case the sky is bright and the foreground is dark.

Other than these the rest is up to your imagination and finding a neat location.

Have a great experience.

- Steve

EDITOR’S NOTE: This is the first of four articles which unfortunately went unpublished last year. Please note– the articles may refer to previous topics and contain out-dated links. However, the articles still contain valuable information worth reading. New articles are on their way soon… Enjoy!

Medtronic Twin Cities Marathon – Minneapolis – October 3rd, 9 AM

Thursday, September 30th, 2010

Photo Trip Date: Sunday October 3rd, 2010 – 9:00 AM to 1:00 PM

Photo Trip Location: Medtronic Twin Cities Marathon: http://www.mtcmarathon.org/Marathon/index.cfm – Mile 19 at Franklin Avenue & W River Parkway

The entire course map: http://www.mtcmarathon.org/Upload/documents/2010%20Marathon%20Course%20Map.pdf

One of our upcoming Salon topics is “Sports Action” (Digital – Due 11/9) so why not get out there to one of the premier sporting events in the Twin Cities – the Medtronic Twin Cities Marathon! Geoff is not running the 10 mile event this year, so it’s a perfect time for us to get out, get together and photograph some elite runners!

We will be meeting at the MS Society Cheer Zone along W River Parkway near where the runners go up to the Franklin Avenue bridge. Parking may be limited in the area, so it is wise to get there early! Be aware that the W River Parkway will be closed on Sunday in both directions (north & south of Franklin) due to the north side of W River Parkway being the route for the 10 mile race and the south side of W River Parkway being the route for the marathon.

Geoff and I will be happy to answer any questions you might have about photographing runners for both stop-motion and motion-blurred effects. Some gear recommendations: Your camera (duh!), a wide lens, a telephoto lens, off-camera flash, polarizer (to enhance the blue skies and fall colors we will hopefully have!), a monopod for stability, a chair for sitting on while you wait for the runners to appear, hat, water and clothing appropriate for a day which is supposed to start out very cool and not get terribly warm.

For more information on the Marathon, please download and read the 2010 Spectator Guide provided by the organizers: http://www.mtcmarathon.org/Upload/documents/2010_SpecGd_F.pdf

Also important – road closings! (Your favorite route might be closed the day of the marathon) http://www.mtcmarathon.org/Spectators/RoadClosings.cfm

And – as always – if you have any photos you wish to share on the Crosstown website, please send them to me (jpg – 600 pixels on the longest side) at hkuchera@yahoo.com.

Hope to see you there!

– Holly Kuchera

October Board Meeting

Saturday, September 18th, 2010

Meeting Date: October 5, 2010 – 6:30 PM

Meeting Location: Edina Art Center

Members Welcome!


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